Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Collins W., Heart And Science — 2018 (Original)

Wilkie Collins was an English novelist, playwright, and short story writer. His novels are often as concerned with social issues as they are with simple storytelling - but as more and more critics are suggesting, the best of them are as readable and thought-provoking today as they were when they first appeared. Of none is this more true than of his 1883 novel Heart and Science, which Collins himself placed alongside his masterpiece The Woman in White.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 ëó÷øèõ ïîâåñòåé íà àíãëèéñêîì. original — 2014 (Èíîñòðàííûé ÿçûê: ó÷èìñÿ ó êëàññèêîâ) (Original)

Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Ñîäåðæàíèå: Wilkie Collins, Arthur Conan Doyle, Joseph Conrad, Charles Dickens, F. S. Fitzgerald, John Galsworthy, Washington Irving, Jerome K. Jerome, James Joyce, D. H. Lawrence, Jack London, H. P. Lovecraft, W. M. Thackeray, George Macdonald, Herman Melville, T. L. Peacock, E. A. Poe, R. L. Stevenson, Edward Bulwer Lytton, Oscar Wilde.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Woman in White — 2011 (Collins Classics)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The woman in white. stage 6 (2500 headwords) — 2008 (Oxford Bookworms Library)

The woman in white first appears at night on a lonely heath near London and is next seen at a grave-side in Cumberland. Who is she? Where has she come from, and what is her history? She seems alone and friendless, frightened and confused. And it seems she knows a secret - a secret that could bring ruin and shame to a man who will do anything to keep her silent. This famous mystery thriller by Wilkie Collins has suspense, excitement, romance, and a plot that twists and turns on every page.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories from the Nineteenth Century — 2000 (Wordsworth classics)

Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of thegreat storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H.G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collings R., Classic Victorian & Edwardian Ghost Stories — 1996 (Tales of Mystery & the Supernatural Series)

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting new selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Woman in White — 1994 (Penguin Popular Classics)

Wilkie Collins' classic story, The Woman in White, is one of the great mystery thrillers of the nineteenth century and beyond. It is a wonderful combination of rich characterisation and cunning melodrama which ensnares the reader from its opening pages. The novel features one of the strongest heroines of the Victorian Age, Marian Halcombe, who was a revelation for the readers of the time. Although not conventionally attractive, she is a tough, determined and feisty soul, well equipped to travel down the dark and dangerous pathway fate has decreed for her

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W. W., The Woman in White — 2008 (Penguin Readers. Level 6. Advanced. Series Editors: Andy Hopkins and Jocelyn Potter)

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Moonstone — 2012 (Collins Classics)

The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories from the Nineteenth Century — 2000 (Wordsworth Classics)

Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of the great storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader. All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H. G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Ñîäåðæàíèå: Ñîäåðæàíèå: The Black Veil àâòîð: ×àðëüç Äèêêåíñ (Ðàññêàç, ñòð. 2-13); The Withered Arm àâòîð: Òîìàñ Ãàðäè (Ðàññêàç, ñòð. 14-40); The Terribly Strange Bed àâòîð: Óèëüÿì Óèëêè Êîëëèíç (Ðàññêàç, ñòð. 41-55); The Bottle Imp àâòîð: Ðîáåðò Ëüþèñ Ñòèâåíñîí (Ðàññêàç, ñòð. 56-81); The Red-Headed League àâòîð: Àðòóð Êîíàí Äîéë (Ðàññêàç, ñòð. 82-103); The Stolen Bacillus àâòîð: Ãåðáåðò Äæîðäæ Óýëëñ (Ðàññêàç, ñòð. 104-110); The Squire's Story àâòîð: Ýëèçàáåò Ãàñêåëë (Ðàññêàç, ñòð. 111-125); The Journey to Panama àâòîð: Ýíòîíè Òðîëëîï (Ðàññêàç, ñòð. 126-144); The Sphinx Without a Secret àâòîð: Îñêàð Óàéëüä (Ðàññêàç, ñòð. 145-150); The Judge's House àâòîð: Áðýì Ñòîêåð (Ðàññêàç, ñòð. 151-167); The Necklace àâòîð: Ãè äå Ìîïàññàí (Ðàññêàç, ñòð. 168-176); The Kiss àâòîð: Àíòîí ×åõîâ (Ðàññêàç, ñòð. 177-192); The Yellow Wallpaper àâòîð: Øàðëîòòà Ãèëìàí (Ðàññêàç, ñòð. 193-208); Juke Judkins' Courtship àâòîð: ×àðëç Ëýì (Ðàññêàç, ñòð. 209-215); One Dollar's Worth àâòîð: Î. Ãåíðè (Ðàññêàç, ñòð. 216-222)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Woman in White — 2008 (Bantam classic)

There, in the middle of the broad, bright high-road—there, as if it had that moment sprung out of the earth or dropped from the heaven—stood the figure of a solitary Woman, dressed from head to foot in white garments." Thus young Walter Hartright first meets the mysterious woman in white in what soon became one of the most popular novels of the nineteenth century. Secrets, mistaken identities, surprise revelations, amnesia, locked rooms and locked asylums, and an unorthodox villain made this mystery thriller an instant success when it first appeared in 1860, and it has continued to enthrall readers ever since. From the hero's foreboding before his arrival at Limmeridge House to the nefarious plot concerning the beautiful Laura, the breathtaking tension of Collins's narrative created a new literary genre of suspense fiction, which profoundly shaped the course of English popular writing.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Moonstone — 1977 (The Penguin English Library)

Widely regarded as the precursor of the modern mystery & suspense novels, The Moonstone tells of the events surrounding the disappearance of a mysterious, cursed yellow diamond. T.S. Eliot called it 'the first, the longest, & the best of modern English detective novels'. It contains a number of ideas which became common tropes of the genre, including a crime being investigated by talented amateurs who happen to be present when it's committed, & two police officers who exemplify respectively the 'Scotland Yard bungler' & the skilled, professional detective.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Classic Victorian and Edwardian Ghost Stories — 1996 (Wordsworth Classics)

This is a book to be read by a blazing fire of a winter's evening, with the curtains drawn and the doors locked. The unquiet souls of the dead roam the pages of this haunting new selection by Rex Collings of ghost stories both as fictional creations and as 'real' apparitions. Some of these stories are classics and others are lesser-known gems unearthed from this vintage era for tales of the supernatural. There are stories from distant lands - Fisher's Ghost by John Lang is set in Australia and A Ghostly Manifestation by 'A Clergyman' is set in Calcutta. Sir Walter Scott keeps company in this selection with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Woman in White — 1999 (Oxford World s Classics)

Wilkie Collins' classic story, The Woman in White, is one of the great mystery thrillers of the nineteenth century and beyond. It is a wonderful combination of rich characterisation and cunning melodrama which ensnares the reader from its opening pages. The novel features one of the strongest heroines of the Victorian Age, Marian Halcombe, who was a revelation for the readers of the time. Although not conventionally attractive, she is a tough, determined and feisty soul, well equipped to travel down the dark and dangerous pathway fate has decreed for her

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Moonstone — 1994 (Penguin Popular Classics)

The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W., The Haunted Hotel and other Strange Tales — 2006 (Tales of Mystery & the Supernatural)

This title is edited, along with an introduction, by David Stuart Davies. Have you ever heard of the fascination of terror? This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collins W. W., Blow up with the Brig! — 1995 (Just for Pleasure)

 ñáîðíèê âîøëè ñåìü ëó÷øèõ ðàññêàçîâ ïðîñëàâëåííîãî ðîìàíèñòà, íèêîãäà íå èçäàâàâøèåñÿ â Ðîññèè íè íà ðóññêîì, íè íà àíãëèéñêîì ÿçûêå. Êàê âñåãäà, âåëèêîãî Êîëëèíçà îòëè÷àþò êðàñèâûé, ãðàììàòè÷åñêè ïðàâèëüíûé ÿçûê, ñòðåìèòåëüíîå ðàçâèòèå äåéñòâèÿ, èíòðèãà è äèêêåíñîâñêèé þìîð. Òåêñò êíèãè íå àäàïòèðîâàí, ÷òî îñîáåííî ïîëåçíî ñîâåðøåíñòâóþùèìñÿ â àíãëèéñêîì ÿçûêå. Èì ïîìîãóò ëåêñèêî-ãðàììàòè÷åñêèå è êóëüòóðîëîãè÷åñêèå êîììåíòàðèè. Ñáîðíèê ðåêîìåíäîâàí øêîëüíèêàì, ñòóäåíòàì, àáèòóðèåíòàì è âñåì, êòî öåíèò "÷òåíèå äëÿ óäîâîëüñòâèÿ".

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ